The Archies Movie Review: A great entertainment film, THE ARCHIES is sure to garner a large audience.

The Archies Movie Review {4.0/5} & Review Rating

“The Archies” – A Journey Through Nostalgia and Friendship

In the heart of 1964, against the backdrop of the picturesque North Indian town, Riverdale, emerges a story that encapsulates the essence of friendship, love, and the inevitable winds of change. “The Archies,” a film directed by the talented Zoya Akhtar, takes us on a nostalgic trip to an era marked by innocence and camaraderie. The central characters, portrayed by a cast of young and promising actors, bring to life the iconic Archie Andrews (Agastya Nanda), Betty Cooper (Khushi Kapoor), Veronica Lodge (Suhana Khan), Reggie Mantle (Vedang Raina), Jughead Jones (Mihir Ahuja), Ethel Muggs (Aditi Saigal aka Dot.), and Dilton Doiley (Yuvraj Menda).

The Archies trailer release date The Archies Movie Review

The plot unfolds in Riverdale, a town inhabited by Anglo Indians, where the protagonists share a profound connection with each other and the enchanting Green Park. However, their idyllic lives take an unexpected turn when Hiram Lodge (Alyy Khan) plans to demolish shops along a crucial stretch, including Hal’s (Satyajit Sharma) bookstore, run by Betty’s father. As if that weren’t enough, Hiram’s grand design includes transforming the serene Green Park into a luxury hotel. The ensuing conflict sets the stage for a narrative that explores the intricate web of relationships and challenges faced by the seven friends.

The screenplay, crafted by Ayesha Devitre Dhillon, Reema Kagti, and Zoya Akhtar, is a testament to the promise of a compelling story. The narrative skillfully navigates the characters through the upheavals in their town, keeping the audience engaged. While the screenplay maintains a decent pace, there’s a longing for more moments of humor and emotion. Farhan Akhtar’s dialogues are conversational, and Veronica’s witty one-liners add a contemporary touch, albeit not entirely in sync with the ’60s era, and that seems acceptable.

Zoya Akhtar’s direction is commendable, breathing life into a fictional world like never before. Riverdale becomes more than just a backdrop; it becomes a character in itself. The film swiftly draws the audience into the lives of these teenagers, a rarity in Hindi cinema. Notable scenes, such as Archie and Betty’s date and the truth-confession moment between Betty and Veronica, stand out. The incorporation of a political angle adds depth, drawing parallels to contemporary issues. However, the ending, though predictable, attempts a nail-biting twist.

Despite these strengths, “The Archies” falls short of delivering the ‘Wow’ factor expected from a Zoya Akhtar film. Some conflicts appear superficial and convenient, diluting the impact of the narrative. The film also indulges in an abundance of songs, which, while well-executed, could have been more judiciously integrated.

The performances of the debutants, while good, don’t quite reach the level of extraordinary. Agastya Nanda shows potential but appears a bit raw in certain scenes. Suhana Khan deserves praise for convincingly portraying the spoiled brat Veronica, and Khushi Kapoor’s restrained portrayal of Betty adds depth to her character. Vedang Raina looks dashing, Mihir Ahuja provides maximum laughs, and Yuvraj Menda is delightful in his role. The supporting cast, including Alyy Khan, Satyajit Sharma, Vinay Pathak, Luke Kenny, and Suhaas Ahuja, leaves a tremendous mark. However, some actors, like Tara Sharma, Koel Purie, Delnaaz Irani, and Sheena Khalid, feel underutilized.

The soundtrack of “The Archies” is a mixed bag with numerous songs, but a few manage to leave a lasting impact. “Sunoh” and ‘Yeh Saari Aawazein’ stand out, with soulful lyrics by Javed Akhtar. ‘Everything Is Politics’ surprises, while ‘Dhishoom Dhishoom’ and ‘Va Va Voom’ showcase fascinating ideas, brilliantly choreographed. ‘Jab Tum Na Thee’ and ‘In Raahon Mein’ are passable. Shankar-Ehsaan-Loy and Jim Satya’s background score complements the film’s mood effectively.

Nikos Andritsakis’ cinematography captures the breathtaking beauty of the film’s locales, creating a visual treat for the audience. Suzanne Caplan Merwanji’s production design, earning accolades, brings Riverdale to life with sets that are both fascinating and believable. Poornamrita Singh’s costumes add a fashionable touch, potentially setting trends. The VFX by Philm CGI, Netfx Mumbai, and Cinegence is top-class, seamlessly blending with the narrative. Nitin Baid’s editing maintains a slick pace, contributing to the overall viewing experience.

The Archies Movie Review: A great entertainment film, THE ARCHIES is sure to garner a large audience.

“The Archies” distinguishes itself with a remarkable portrayal of the era it seeks to encapsulate. Zoya Akhtar’s meticulous attention to detail is evident in the creation of Riverdale, a town that becomes as much a character as the protagonists themselves. The film seamlessly integrates landmarks and locales, enabling the audience to forge a connection with the setting. It’s a testament to the director’s prowess that, in no time, viewers find themselves immersed in the charm and quaintness of Riverdale.

The screenplay, while maintaining a decent pace, could benefit from a more robust exploration of the characters’ emotional landscapes. The friendships and conflicts within the group, while well-presented, seem to scratch the surface, leaving audiences yearning for more profound insights. The two standout scenes – Archie and Betty’s date and Betty and Veronica’s truth-confession moment – showcase the potential for emotional depth, but such instances are scarce.

The incorporation of a political angle adds a layer of complexity to the narrative, drawing parallels to contemporary issues. However, the film stops short of fully capitalizing on this potential for social commentary. The ending, while predictable, attempts a twist that adds a touch of suspense. Nonetheless, it doesn’t entirely escape the formulaic resolutions often found in coming-of-age stories.

One of the film’s noticeable drawbacks is the absence of the characteristic ‘Wow’ factor associated with Zoya Akhtar’s works. While the director successfully creates a captivating world, some conflicts feel too conveniently resolved, robbing the story of the depth that could elevate it to greatness. The film’s reliance on an abundance of songs, although well-executed, occasionally disrupts the narrative flow.

Moving to the performances, the debutants showcase commendable efforts. Agastya Nanda, despite moments of rawness, displays potential that could be further honed. Suhana Khan impresses with her portrayal of Veronica, effectively capturing the nuances of a spoiled brat. Khushi Kapoor’s restrained performance adds an intriguing layer to Betty’s character, while Vedang Raina brings a dash of charisma to Reggie Mantle. Mihir Ahuja’s comedic timing stands out providing much-needed levity to the narrative. Yuvraj Menda is delightful, leaving an impression with his simple yet endearing portrayal of Dilton Doiley.

The supporting cast, led by Alyy Khan, Satyajit Sharma, and Vinay Pathak, delivers commendable performances that contribute significantly to the film’s impact. Luke Kenny and Suhaas Ahuja make memorable impressions, but some seasoned actors like Tara Sharma, Koel Purie, Delnaaz Irani, and Sheena Khalid are unfortunately underutilized, a missed opportunity for a more robust ensemble performance.

The soundtrack, with its plethora of songs, is a mixed bag. While ‘Sunoh’ and ‘Yeh Saari Aawazein’ stand out with their soulful compositions and meaningful lyrics, the sheer number of songs feels overwhelming. The background score by Shankar-Ehsaan-Loy and Jim Satya effectively complements the film’s mood, enhancing the viewing experience.

Nikos Andritsakis’ cinematography deserves special mention for capturing the breathtaking beauty of the film’s locales. From the lush landscapes of Green Park to the charming streets of Riverdale, every frame is a visual treat. Suzanne Caplan Merwanji’s production design, recognized with awards, brings Riverdale to life with sets that seamlessly blend fiction and reality. The costumes by Poornamrita Singh add a touch of glamour, contributing to the film’s overall aesthetic appeal.

The VFX by Philm CGI, Netfx Mumbai, and Cinegence is top-notch, seamlessly integrating visual effects into the narrative without feeling out of place. Nitin Baid’s editing maintains a slick pace, ensuring the film doesn’t lose momentum, despite the occasional diversion into musical interludes.

In essence, “The Archies” emerges as a fine entertainer, offering a captivating journey into a nostalgic past. Its success on platforms like Netflix is inevitable, given its family-friendly theme, stylish presentation, and the curiosity surrounding the debut performances of star kids. While it may not attain the pinnacle of Zoya Akhtar’s acclaimed works, the film succeeds in delivering an enjoyable experience, replete with moments of laughter, friendship, and a tinge of nostalgia. As viewers embark on this cinematic journey to Riverdale, they are likely to find themselves enchanted by the quaint charm of an era gone by, where friendships were simple, dilemmas were relatable, and the promise of tomorrow held endless possibilities.

The Archies music album launch
In conclusion, “The Archies” emerges as a fine entertainer, destined to garner a substantial viewership on platforms like Netflix. The film’s success can be attributed to its captivating setting, a theme that resonates with both kids and families, stylish presentation, memorable music, and the added allure of witnessing the debut performances of star kids who have been the talk of the town. While it may lack the ‘Wow’ factor, the film successfully transports the audience to a bygone era, offering a nostalgic and heartwarming journey through the lives of these endearing characters.

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