Aankh Micholi movie review: Aankh Micholi doesn’t make you laugh, aside from a terrible climax.

Aankh Micholi movie Review {1.5/5} & Review Rating.

Aankh Micholi is a Bollywood comedy film that narrates the story of two eccentric families. Paro (played by Mrunal Thakur) resides in Hoshiarpur, Punjab, with her father, Navjot Singh (Paresh Rawal), her brothers Harbhajan Singh (Abhishek Banerjee) and Yuvraj Singh (Sharman Joshi), Yuvraj’s wife Billo (Divya Dutta), and nephew Goldie. The uniqueness of this family lies in their quirks – Navjot forgets things, Yuvraj is deaf, and Harbhajan stammers. Paro, on the other hand, suffers from night blindness, a condition that makes her unable to see in the dark.

Aankh Micholi movie review: Aankh Micholi doesn't make you laugh, aside from a terrible climax.
The story takes an interesting twist when Paro embarks on a trip to Switzerland with her friends, where she encounters Rohit Patel (played by Abhimanyu Dassani) and promptly falls in love with him. However, Rohit remains oblivious to her feelings. Upon returning home, Paro is informed by her family that they have arranged a potential marriage match for her. To her surprise, the prospective groom is none other than Rohit. The catch, however, is that Rohit arrives at her house during the night, a time when Paro’s night blindness makes it impossible for her to see anything.

Paro’s family chooses not to disclose her night blindness to Rohit and his parents (played by Darshan Jariwala and Grusha Kapoor). Paro is asked to pretend as if there’s no issue with her vision, setting the stage for comedic misunderstandings and mishaps. Billo, Yuvraj’s wife, is determined to disrupt the proceedings, especially after discovering that she wasn’t informed about Yuvraj’s deafness before their marriage. As the story unfolds, it becomes evident that Rohit also has a significant secret that he’s hiding.

The premise of Aankh Micholi offers a promising setup for a comedy filled with laughter and amusement. However, the film’s execution falls short of realizing its full potential. The screenplay, while promising, does not quite live up to expectations, resulting in limited humour throughout the film. Nevertheless, there are moments when the dialogue manages to evoke genuine laughter.

Umesh Shukla’s direction cannot fully do justice to the plot at hand. The film’s initial portions are shaky and fail to engage the audience effectively. Fortunately, the film becomes more watchable once Rohit arrives to meet Paro, with an unexpected twist at the intermission point that works well in capturing the viewer’s attention.

However, the post-intermission phase of the film witnesses a decline in the effectiveness of the comic scenes. Furthermore, the film occasionally ventures into absurdity, testing the viewer’s suspension of disbelief. This is particularly true in the climax, where it’s possible that a serious scene elicits more laughter from the audience than the intentionally funny moments.

In terms of performances, the cast of Aankh Micholi delivers a mixed bag. Abhimanyu Dassani’s portrayal of Rohit is decent but not particularly memorable. Mrunal Thakur, on the other hand, shines with her superb screen presence and tries to rise above the constraints of the substandard script. Paresh Rawal, a reliable veteran in the industry, seems slightly off in the initial scenes but manages to find his footing as the story progresses.

Divya Dutta stands out as one of the best performers in the film, delivering a memorable and entertaining performance. Sharman Joshi and Abhishek Banerjee offer okay performances, while Darshan Jariwala and Grusha Kapoor deliver passable portrayals. Vijay Raaz, playing the character Bhatti, does his best to infuse the film with humour.

Aankh Micholi movie review: Aankh Micholi doesn't make you laugh, aside from a terrible climax.
The music in Aankh Micholi, composed by Sachin-Jigar, is largely forgettable. While the title song manages to leave an impression, tracks like ‘Kaleja Kad Ke,’ ‘Ve Dholna,’ and ‘Shaadi Dope Hai’ fall short of making a mark. The background score by Sachin-Jigar, however, is in sync with the film’s overall mood, contributing to the viewing experience.

From a technical perspective, Sameer Arya’s cinematography is neat and visually pleasing. Preeti Sharma’s costume design successfully strikes a balance between glamour and realism. Parul Bose’s production design adds a theatrical touch to the film’s visuals. Steven Bernard’s editing work is competent and serves the film adequately.

Despite its shortcomings, Aankh Micholi does have its redeeming qualities. The film evokes genuine chuckles in certain scenes, thanks to the witty dialogues scattered throughout. Additionally, the unexpected twist at the intermission point adds an element of surprise, briefly elevating the film’s engagement level.

The performances, especially by Divya Dutta, bring moments of genuine humour and authenticity to the narrative. These elements, albeit sporadic, provide glimpses of what the film could have been with a more refined screenplay and skilful direction.

One of the film’s missed opportunities lies in its exploration of the complexities within the two families. The characters, with their unique quirks, had the potential to create a rich tapestry of comedic situations. However, the film only scratches the surface, leaving much unexplored. Deeper character development and more intricate exploration of their idiosyncrasies could have significantly enhanced the humour and emotional depth of the story.

Furthermore, the film’s romantic angle between Paro and Rohit feels underdeveloped. Their love story lacks the depth and nuance required to make the audience emotionally invested in their relationship. This lack of emotional connection diminishes the impact of their interactions and makes it difficult for viewers to empathize with their plight.

Aankh Micholi movie review
Aankh Micholi’s music, despite being forgettable, could have served as a tool to enhance the film’s emotional resonance. A well-composed soundtrack has the potential to elevate key moments, creating a more immersive experience for the audience. Unfortunately, the film’s music fails to leave a lasting impression, missing the opportunity to add depth to the characters and their relationships.

From a technical standpoint, the film’s cinematography and production design contribute positively to the overall visual appeal. Sameer Arya’s crisp cinematography captures the vibrant settings effectively, providing a visually pleasing backdrop for the unfolding story. Parul Bose’s theatrical production design complements the film’s comedic tone, adding a layer of visual interest to the scenes.

Despite its flaws, Aankh Micholi’s cast members deserve commendation for their efforts to breathe life into their characters. Mrunal Thakur, in particular, displays resilience in her portrayal of Paro, infusing the character with sincerity and charm.

Divya Dutta’s exceptional performance as Billo stands out as one of the film’s highlights, showcasing her versatility as an actress. Paresh Rawal, despite initial hiccups, manages to deliver a dependable performance, grounding the film with his seasoned acting skills.

In conclusion, Aankh Micholi struggles to fulfil the expectations associated with a comedy film. While it occasionally manages to tickle the audience’s funny bone and offers moments of genuine humour, its inconsistent screenplay and lacklustre execution prevent it from reaching its full potential.

With more meticulous writing, a tighter script, and adept direction, Aankh Micholi could have transformed into a delightful comedy that resonates with viewers. Instead, it remains a missed opportunity in the genre, leaving audiences longing for the laughter and entertainment that could have been.

Leave a comment